Welcome back to our television serial making guidelines. If you'll need a recap we'd already seen the fixed types of necessities like storyline, characters or sets. Now let's proceed to moving ones.
The Story and Dialogue Writers: Having just one writer is a risky proposition. You must ideally have a board of writers, if one fails to blow out of his/her mind others deliver. The endless storyline needs a similarly endless way to obtain dialogues to carry on the show episode by episode. In a particular scene you will have to create the utmost possible dialogues and for this the board of writers would come as a bonus. Should they quarrel over it, that is only natural, maybe you get a fresh twist-wish idea to put in new angles-triangles or why don't you a hyperbola in the story that could again generate new streams of dialogues. You will have to keep a wrist watch on viewers too; boring them now and then is okay, but you need to never drive them mad. The channel producers, remember?
The Director: Because you will be the director you should be the toughest nut to break. Okay it is your infant and naturally you prefer to be the leader and friend-philosopher-guide. But in actual practice you need to be considered a ruthless dictator taking decisions unilaterally and respecting no body however the channel producers. If a particular character actor is creating problems s/he must get killed in the serial; on the demand of the producers a dead character might have to be brought alive; others might have to be replaced; ushering in a time transition or injecting one and more absurd characters into the serial; and, so on. All these situations demand your decisions only. Kundali Bhagya Today Episode We advise you to help keep one or two episode directors too as could be the case in lots of soaps. We have good reasons. First, one director is directly identifiable and is a sitting duck for irate viewers, if any. Second, the endless monotony might be a lot of for you and you could lose your sanity. Third, as for the channel producers the buck will always stop exclusively at your end only.
The Time Pass: Now pass is from the viewpoint of serial makers, not viewers. Making an endless serial is not at all easy. So you need to continue creating rooms for frequent time pass tactics. You do it insurance firms merry go rounds of dramatic reaction shots parading your entire characters in the hall that could get you over one or more episodes; insurance firms dialogues that never cease; giving extreme shock treatment to one or more characters who lose their capability to speak and communicate only through loud music that could last around one or more episodes; by bringing in absurd characters and making their stories count; and, by the like.
Conclusion (?): Since each one of these guidelines are enforced relentlessly some normal doctrines like good wins over evil get neutralized. Evildoers in serials continue doing evil that could include even murder as police authorities are never called in, because entry of police may veer the serial to a logical end. You merely compensate by creating temporary relief measures now and then. Thus, the antagonist becomes the important thing to the success of endless serials. At the receiving end we are able to only try get used to it.
So, make your serial in India and have endless fun!
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