How you can make a powerful Indian Television Serial -- Area three.

 Welcome back to the television serial making guidelines. If you need a recap we'd already seen the fixed kinds of necessities like storyline, characters or sets. Now let's proceed to moving ones.

The Story and Dialogue Writers: Having only one writer is really a risky proposition. You ought to ideally have a board of writers, if one doesn't blow out of his/her mind others deliver. The never ending storyline needs a similarly endless way to obtain dialogues to continue the show episode by episode. In a certain scene you will have to create the maximum possible dialogues and with this the board of writers would come as a bonus. If they quarrel over it, that's only natural, maybe you receive a new twist-wish idea to set up new angles-triangles or why not even a hyperbola in the story that could again generate new streams of dialogues. You will have to keep a watch on viewers too; boring them now and then is okay, but you must never drive them mad. The channel producers, remember?

The Director: Since you will be the director you ought to be the toughest nut to break. Okay it's your child and naturally you like to be the best choice and friend-philosopher-guide. However in actual practice you must be considered a ruthless dictator taking decisions unilaterally and respecting no-one but the channel producers. If your particular character actor is creating problems s/he must get killed in the serial; on the demand of the producers a dead character may need to be brought alive; others may need to be replaced; ushering in a time transition or injecting one and more absurd characters in to the serial; and, so on. Each one of these situations demand your decisions only. Kundali Bhagya Today Episode We advise you to keep one or two episode directors too as may be the case in lots of soaps. We've good reasons. First, one director is directly identifiable and is really a sitting duck for irate viewers, if any. Second, the endless monotony may be a lot of for you personally and you might lose your sanity. Third, as for the channel producers the buck will always stop exclusively at your end only.

The Time Pass: This time around pass is from the viewpoint of serial makers, not viewers. Making an endless serial is not at all easy. So you must carry on creating rooms for frequent time pass tactics. You do it with merry go rounds of dramatic reaction shots parading all of your characters in the hall that could get you over one or more episodes; with dialogues that never cease; by giving extreme shock treatment to one or more characters who lose their power to speak and communicate only through loud music that could last around one or more episodes; by bringing in absurd characters and making their stories count; and, by the like.

Conclusion (?): Since each one of these guidelines are enforced relentlessly some normal doctrines like good wins over evil get neutralized. Evildoers in serials carry on doing evil that could include even murder as police authorities are never called in, because entry of police may veer the serial to a logical end. You simply compensate by creating temporary relief measures now and then. Thus, the antagonist becomes the key to the success of never ending serials. At the receiving end we could only try get accustomed to it.

So, make your serial in India and have never ending fun!